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(en) France, Monde Libertaire - IDEAS AND STRUGGLES: Aftermath of Defeat (ca, de, fr, it, pt, tr)[machine translation]

Date Fri, 4 Jul 2025 09:11:56 +0300


After the Commune ---- The War of 1870 is one of those forgotten events in our country's history. One could even add that the 19th century is somewhat overlooked, except for the First Empire, the Revolution of 1848, and the Paris Commune. This war originated in Napoleon III's passion for glory. Can this terrible year, to borrow Victor Hugo's phrase, be seen as a dawn or a twilight? Historians debate the cumulative effect of the fall of the Second Empire, the birth of the Third Republic, and the tragedy of the Commune. A defeated nation had to overcome a collective and private trauma and rise again. In his poem "The Vanquished," Verlaine exclaimed, "Allons, allons! Debout, debout!" and evoked "the pressing need for opportune tomorrows." Until 1914, a black mark remained on school maps of France, where Alsace-Moselle had become German.

The book "The Days After Defeat," subtitled "1870-1871 in the Imaginary of the Third Republic," edited by Marion Glaumaud-Carbonnier and Nicolas White, evokes the consequences of this defeat and this suffering in the arts. What becomes of the children of defeat? France must be rebuilt. We must rely on literature, while nevertheless remembering that many authors made sordid remarks about the Commune and the women and men who were involved in it. How can we unite? The working class is sidelined. But how can the peasantry identify with the republic after supporting the empire and a monarchist majority in February 1871? George Sand paints a picture of the peasant who could become the foundation of this republic, as Gambetta intended. The work is highly erudite, with a solid bibliography. The authors and artists are not necessarily well-known today, but they influenced the mood of the time.

A Sense of Chaos

These are based on children. Child informers, children involved during the Commune. Already, denunciations of the Church's behavior towards these children are spreading. They are invested with hope in children's literature, edifying and educational with strong ideological biases. Patriotism is largely tinged with anti-Germanism and revanchism, which permeates minds for the sinister aftermath.

The sense of chaos is animating minds. Obviously, the Commune is accused of all evils. A few authors, like Lucien Descaves, speak out in its favor. Jules Vallès is still in exile. And Zola is described as the leader of the literary Commune... When you consider what he wrote about it... The patriotic song appears to shine through in Bizet's Carmen, and the image of this free woman echoes the women of the Commune. Let's not forget that caution was necessary in these times of moral order and censorship.

Obviously, Maurice Barrès dwells on the memory of the defeat right up to the Great War, and Alphonse Daudet famously said: "The landscape has its wound in its side still bleeding." This sets the tone for his Contes du lundi (Monday Tales).

French painting becomes involved, for example, with the Battle of Champigny and Edouard Detaille's machine-gun fire. Auguste Lançon positions himself as a reporter-illustrator. Statues multiply, like the one in Strasbourg, which borders on idolatry.

A Cultural Mobilization

Still in literature, we are entering a literary war, seeking French genius even in the Middle Ages to demonstrate the superiority of Roncevaux over Sedan, mobilizing the Song of Roland...

Is the opening of French stages and translated publications by German artists conceivable? It is difficult to accept conductors conducting German works. The Action Française with Charles Maurras will be at the forefront of this rejection, which fades in 1913-1914... And everything will have to start again. We will experience this reluctance again after the Second World War.

Thus, this forgotten war will enliven French cultural life. As Marion Glaumaud-Carbonnier points out in her conclusion, "the various chapters of this book invite us to think more broadly about the links that are woven between war, emotion, writing, and culture."

* Collective
Edited by Marion Glaumaud-Carbonnier and Nicolas White
Aftermath of Defeat
Published by Presses universitaires de Lyon, 2042

https://monde-libertaire.fr/?articlen=8399
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