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(en) France, Monde Libertaire - The war against women, women against war (ca, de, fr, it, pt, tr)[machine translation]

Date Thu, 24 Apr 2025 08:09:24 +0300


Interview with Hélène Hernandez broadcast on March 12, 2025 on the program Au fil des pages on Radio libertaire ---- To find the interview: https://radio-libertaire.org/podcast/registre/2025-03-12_23.mp3 ---- Hello, Hélène Hernandez, you are a well-known voice on this channel. Indeed, you co-host the program Femmes libres just after ours. An activist in the Anarchist Federation, you have published several articles and books on women's struggles. I will mention Celles de 14, the situation of women in the time of the great slaughter published by Éditions Libertaires in 2015. ---- A new book La guerre contre les femmes les femmes contre la guerre is published by Éditions du Monde Libertaire in November 2024. ---- An observation on the cover. An illustration by our friend Tardi. A landscape torn apart by shells, fighting, an overturned tank from the First World War, and a woman barefoot in the mud pushing a wheelbarrow in which two children are sitting. Why this otherwise powerful image? Your choice?

Yes, I asked Jacques Tardi for a cover drawing that would feature women, and it was Dominique Grange, his partner, who chose that one, and I immediately liked it. OLT designed the cover and the back cover, following the drawing. It's very successful in my opinion.

Now, let's present the book. Why this book and what texts is it composed of?

It was a commission from Le Monde Libertaire. Philippe noticed that over the years, I had written many articles on the war and women in Le Monde Libertaire, so he asked me to bring these articles together and make a book. There are thus 3 parts: the 1st are texts written by anarchist women, Emma Goldman, Hélène Brion, Nelly Trumel and an IWW unionist, to open on the idea that anti-militarism is anchored in history in the face of violence; The 2nd part shows the multiple facets of war against women: military, patriarchal, religious and capitalist violence. So texts on war with weapons, in times of war, but also on everyday war, the one that oppresses, exploits, discriminates, in times of peace. The 3rd part, everywhere, women are fighting against war, as Stéphanie Bouvard said in November 1915 "Let this dance of death stop!" These resistances are important to evoke, whether in Chiapas, Rojava, or the demonstrators in India or Latin America against frenzied extractivism in contempt of local populations, or against nuclear energy.

So, this is not a book about the First World War, but about many conflicts and current conflicts. Some are well-known, I'm thinking of Ukraine, but others have been forgotten by the media. Why isn't this being talked about?

In 2023, there were 59 conflicts in the world, in Africa, Asia, the Middle East, and even in Europe and the Americas. The media chooses conflict zones that have geopolitical relevance. As for what women suffer, it's true that few media outlets talk about it.

You make a long procession of it. Everyone suffers in a conflict, but women suffer very specific abuses. Like a double attack on their bodies: torture, injuries, death, but also rape. You talk about a destructive weapon.

Women's bodies are used in the case of ethnic cleansing deployed in the war in the former Yugoslavia in the early 1990s. Rape is a reality in all conflicts. To humiliate a people, women are raped, often in front of their own children. Rape is used as a weapon of war. In 2019, under pressure from the United States, Russia, and China, the UN Security Council had to back down on the creation of an international body responsible for prosecuting perpetrators and developing protection for survivors, raped women, and pregnant women. This implies that these gender-specific abuses are not weapons of war!

In other cases, they are objectified, sold into slavery, but slavery exists in three countries, but not in France?

Slavery exists in many countries, including France; it concerns young girls and women from poor countries. I cite the film The Silence of Sibel by Ali Yeganeh, this Yazidi girl, kidnapped by Daesh, in front of her massacred family in Iraq. Like other girls and women, she is reduced to slavery. When they are destroyed physically and psychologically, they are sold to finance the war of these terrorists. As for economic slavery, it serves capitalism, with very low wages.

You evoke and develop the notion of class and gender warfare through capitalism and the notion of patriarchy. Can you explain?

There is a continuum of economic violence, part of capitalism, and social violence, part of patriarchy. Conflict-related sexual violence is due to militarization, the proliferation of weapons, impunity, the collapse of institutions, but also to gender-based inequalities, discriminatory and harmful social norms.

The book is composed of articles with introductions written by you.

We could mention women who are symbols of women's struggle, I'm thinking of Emma Goldman but also the lesser-known Hélène Brion. Both have adopted a fiercely anti-militarist discourse. Could you tell us about Hélène Brion's work?

Hélène Brion (1882-1962) was a schoolteacher and union member of the Fédération des Institurices et Institurices (Federation of Teachers). She became a pacifist in view of the poverty of the population of Pantin, where she helped in the soup kitchen. Her trial by a court martial in 1918 for defeatism made her a symbol of feminist resistance to the war. And I quote her Feminist Address to the Committee for the Resumption of International Relations in 1916. During her trial in 1918, she proclaimed: "I am an enemy of war because I am a feminist, war is the triumph of brutal force, feminism can only triumph through moral strength and intellectual valor."

To clearly demonstrate the relevance and permanence of women's struggle, let's talk about Nelly Trumel. Who was she?

Nelly Trumel (1938-2018) created the show Femmes libres on Radio libertaire in reference to Mujeres libres, this organization of 20,000 women in Spain. Nelly developed a feminism and anti-militarism that permeated Radio libertaire, Le Monde libertaire, and the Anarchist Federation. As a painter, she dared to choose potatoes, the food of the poor, to make them magnificent, sometimes disconcerting, subverting them in the manner of the surrealists but with hyperrealism. She thus painted everyday objects that she magnified: fruits, vegetables, bowls and glasses, bottles. She staged them very differently from traditional still lifes, because the pear seed seems to be an eye looking at us or the fig is such that we want to eat it.

She has very well-argued texts, I'm thinking of these words: "In times of war, civilization is overturned and impulses, suddenly released, are primitive, the sexual impulse is the most difficult to control." This was written in 1993 in Le Monde libertaire. It's still relevant today. She further describes the prohibition on controlling one's body.

It's because what Nelly wrote is relevant today that I took up her texts from 1993. Yes, in the case of Uighurs or non-Serb women in the former Yugoslavia, "the ethnic identity that wants to assert itself must spread its sperm and shed blood" and Serbian men must say "I call on all Serbian women to give birth to another son in order to repay their debt to the nation." Women's bodies are thus a political and warlike issue.

You yourself have a strong analysis of Emmanuel Macron's warlike discourse. Is France warlike?

I can't talk about global wars without mentioning France's military policy. Macron talks about war during the Covid period, he talks about demographic rearmament to urge women to have more children, to pay for pensions? No, to have a stronger country and influence the world. France has become the second largest exporter of arms and military engineering, the army budget is growing while public services are sacrificed (health, education, transportation, etc.). In 2017, it was the fatal march, alone, in the Cour Napoléon, a symbolic march. Yes, Macron has a warrior's posture.

How can we help these women? In Sudan, Burkina Faso, Afghanistan. I found the expression in an article, "women and girls at the heart of all dangers."

On the one hand, there are NGOs that provide medical and educational assistance, such as schooling for girls, and when they can do so. For example, Radio Begum allowed girls to take classes, especially English classes, for years; it has just been banned by the Afghan government. And we can support these NGOs like Negar or Femaid. On the other hand, talking about it, showing our solidarity, responding urgently to appeals against death sentences or incarcerations, or trials like that of Pinar Selek (harassed by the Turkish government for 27 years), etc., allows them to hold on. Social networks inform on both sides. We must always hold the flag of freedom, feminist and anti-militarist.

The book also discusses the pathologies caused by wars. Injuries, but not only that. Illnesses, including mental disorders. Especially for women?

Girls and women face a higher risk of violence during conflicts, including sexual violence, and difficulty accessing emergency obstetric care, family planning services, and psychological support on gender-specific issues. Wars significantly increase the prevalence of mental health problems: 22% suffer from them, more women than veterans, for example, with the exception of post-traumatic stress disorder.

I would also like an explanation of the distinction between femicide and femicide.

Both terms can be used. Femicide (or femicide, uxoricide, conjuguicide, sexocide, gynecide, gynocide, or gendercide) refers to the murder of one or more women or girls because they are women. The term femicide comes from the American feminist researcher Diana EH Russell in the late 1970s, according to Christelle Taraud in the book Femicides, a World History (La Découverte, 2022). Definitions may vary depending on the cultural context. The term femicide is now the most widely used.

A word, of course, about the situation in Iran. Women, life, and freedom-what remains today?

Iranian women, after this popular uprising following the death of Jina Mahsa Amini in September 2022, are not defeated despite the terrible repression. Chouwra Makaremi says, "In 2022, burning the veil is a revolutionary grammar, with creativity and humor! Joy is a practice of resistance that allows us to fight fear. It is through non-fear that we will be on the barricades and become a people!"

A thought for Berta Caceres, Margarida Alves. Who were they?

On March 3, 2016, Berta Caceres was murdered in her home. She spent her life asserting the rights of Honduran communities to access their land. She fought against landowners and companies that plundered their land. Her daughter has re-raised the torch against the capitalist extractivism of natural resources.

Margarida Alves is a major figure in Brazilian peasant unionism. She was assassinated on August 12, 1983, during the height of the military dictatorship. As a reminder, the 7th March of the Margaridas took place on August 15 and 16 in Brasilia with 100,000 rural women workers, marching for the reconstruction of the country and good living: "Live better by fighting than die of hunger."

In my opinion, the book brings together analyses, references, testimonies, a bibliography, a filmography, it allows for food for thought. Activists can use it to lead a debate but you can travel. Last February, you were in Toulouse. How can I contact you?

The best thing is to write to me at femmes.libres@outlook.fr

Is a presentation of the book planned soon?

I will be in the Val d'Oise on March 27 at 6:30 p.m. at the initiative of Libre Pensée 95, it will be at the Café des quais 8 rue Hôtel Dieu in Pontoise. And I will be at the CIRA Limousin, EAGR 64, avenue de la Révolution in Limoges, on May 17 at 5 p.m.

Thank you, Hélène.
I remind you of the title of the book The War Against Women, Women Against War published by Le Monde Libertaire in November 2024.
(Interview by Francis PIAN)

https://monde-libertaire.fr/?articlen=8278
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